EME Experimental Illustration, Art & Design

Permanent URI for this community

https://riunet7pre.upv.es/handle/10251/70313

EME es una revista de investigación de perioricidad anual y bilingüe, centrada en el ámbito de la ilustración, el arte y el diseño cuyo objetivo prioritario es servir de ámbito de reflexión sobre estas disciplinas, su relación con la sociedad, su evolución histórica o sus innovaciones.

Browse

Now showing 1 - 20 of 23

Aprendiendo del símbolo: imagen y referencia simbólica en los inicios del discurso arquitectónico posmoderno
(Universitat Politècnica de València, 2015-04-30) Pérez Rodrigo, José David; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] This article makes an approach to the symbolic recovery as the fundamental argument used in the revised edition of Learning from Las Vegas (Venturi, Scott Brown & Izenour, 1977), a text which had with important repercussions on counter-modernist architectural theory. This recovery, extremely critical with the vulgarised imposition of the functionalism of the international style, coincides with the North American Neo-avantgarde’s rejection of the formalist academicism of abstract expressionism, as well as with the crisis of the concept of modernity, caused by what was conceptualised, not without certain confusion, as post-modern thought.
Arte, género y sociedad en la trayectoria creativa de Monika Buch
(Universitat Politècnica de València, 2024-05-31) Fernández Navarro, Ainhoa; Garcia Rams, María Susana; Dpto. de Dibujo; Facultad de Bellas Artes; Grupo Animación de la Universitat Politècnica de València
[EN] The under-recognition of women in the artistic field has resulted in an incomplete cultural legacy. This article focuses on one of those women, Monika Buch. Valencian by birth with Germanic roots, she was the only Spanish student at the Hochschule für Gestal-tung / HfG Ulm. Her trajectory and her life has been studied through the socio-political framework in which she lived: Spain (II Republic, Civil War, Fran-coism), Germany (post World War II) and Holland (student revolts and feminist liberation movement). Without leaving aside the gender roles and stereo-types established in each period. The aim of this study is to contribute to filling a historiographical gap, and in this way create a fairer and more equitable narrative, which will serve as a reference for future generations.
Aspectos ecológicos y sostenibilidad en el uso de materiales artísticos. Trementina pura, revisión y articulación instrumental
(Universitat Politècnica de València, 2023-05-31) Galbis Juan, Amparo; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[ES] Este artículo surge de una iniciativa emprendida hace años con el propósito de aumentar la riqueza y diversidad expresiva de la pintura, ampliar recursos y soluciones, hacer evolucionar y optimizar nuestras actividades holísticamente. Con experiencia en la investigación de nuevos materiales pictóricos ecosostenibles, incluyendo el desarrollo de varias patentes, trabajos y talleres con formulaciones específicamente no tóxicas, hemos desarrollado y reajustado metodológicamente el estándar de trabajo con aquellos compuestos orgánicos volátiles insustituibles en algunas técnicas, que consideramos necesario para el adecuado desempeño docente, profesional e investigador en la práctica artística contemporánea.
Diseñar desde la empatía: Avanti-Avanti Studio
(Universitat Politècnica de València, 2017-05-08) Lleonart García, Melani; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[ES] Entrevista a Alex Dobaño, fundador y director creativo de Avanti-Avanti, estudio creativo especializado en el desarrollo de estrategias creativas de comunicación y diseño para todos. Gracias al desarrollo e implantación de su metodología de trabajo centrada en el Design for All Thinking, consiguen que las marcas o empresas conecten con un público más amplio, cumpliendo además con las normativas sobre comunicación accesible para personas con distintas habilidades sensoriales.
Editorial
(2024-05-31) Lleonart García, Melani; Sanchis Gandía, Álvaro; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] Opening text of the twelfth issue of Eme Magazine
Editorial
(2022-05-31) Heras Evangelio, David; Sanchis Gandía, Álvaro; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] Opening text of the tenth issue of Eme Magazine
Editorial
(Universitat Politècnica de València, 2020-05-31) Sanchis Gandía, Álvaro; Heras Evangelio, David; Dpto. de Dibujo; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[ES] Editorial del octavo número de Eme Magazine
EducaThyssen: repensando la función educativa del museo
(Universitat Politècnica de València, 2018-07-31) Lleonart García, Melani; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] Rufino Ferreras. Responsable de Desarrollo Educativo del Museo Thyssen-Bornemisza
EME Editorial nº00
(Universitat Politècnica de València, 2011) Rodríguez Calatayud, María Nuria; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[ES] Editorial del primer número de la revista EME, Experimental Ilustration & Design. Revista de investigación anual cuyo objetivo prioritario es servir de ámbito de reflexión sobre el papel de la ilustración en la sociedad, observar los nuevos conceptos que plantea la actualidad y analizar las responsabilidades sociales que se derivan en la profesión como agentes activos de la cultura visual.
El gesto como icono: Análisis de la evolución de los elementos interactivos en el ámbito digital
(Universitat Politècnica de València, 2015-04-30) Linares Pellicer, Jordi; Rodríguez Calatayud, Nuria; Sanchis Gandía, Álvaro; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] In the digital field, the evolution of interactive settings has always been linked to technologi-cal progress and the settling of collective use experience. Currently with the arrival of smart mobile devices we attend to a new stage in the evolution of digital settings. The icon, fre-quently established as key to all interaction in operative systems, has given way to new com-municative resources capable of coexisting and structuring different use experiences in the service of information.
Ilustración floral y estampación textil. Confluencia de arte y diseño en el ámbito de la moda
(Universitat Politècnica de València, 2022-05-31) Piris Nácher, Marina; Galbis Juan, Amparo; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] This article analyses the links of the textile stamping in the context of the fashion focused on the illustration of botanic motives from the double professional and creative perspective of the design, considering his development, historical evolution, functional appearances, resources, and operative ways who contribute a value added to the design ended up. We will observe the artistic references along the time and the recognition of the designer, as well as the beginning of the stamping in this industry, reviewing in brief the graphic and pictorial techniques more used at present for these proceses.
Información en movimiento. La infografía animada se abre paso en España
(Universitat Politècnica de València, 2019-05-31) Jiménez Mayordomo, Pedro; Dpto. de Dibujo; Facultad de Bellas Artes
[EN] The infographic in movement is gaining more relevance in the network. Every time you see more and better animated graphics. More complete and better resolved. What were originally experiments, now are reality. This provides the user with a new way to obtain relevant information. Whether about an event, a product or a service offered by a company. The animated or moving infographic appears before the need to explain content in new formats and for new devices. The infographic in movement is a new vehicle to tell stories. In this article we go into the origins of the infographic in movement to understand its present and future.
Javier Jaén: el pensamiento como estilo
(Universitat Politècnica de València, 2020-05-31) Sanchis Gandía, Álvaro; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[ES] Entrevista al ilustrador Javier Jaén
Marcas con valores
(Universitat Politècnica de València, 2021-05-31) Canavese Arbona, Ana; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] In this new market era, where there are more and more brands and products with the same attributes, users are looking for additional motivators to justify their buying choice. Companies’ brand values are increasingly essential to provide emotional benefits that generate preference and lasting ties with their users.Considering strategic values such as sustainability, simplicity, transparency, closeness, accessibility, and inspiration, the brands of the future will help people create their identity, achieving their challenges and motivations. Due to this ability to influence, brands are taking an increasingly relevant role in building society.
La naturaleza de la moda
(Universitat Politècnica de València, 2022-05-31) Deltoro Cremades, Rosa María; Dpto. de Dibujo; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[ES] Sin resumen
Papel plegado multiplica el resultado. El potencial tridimensional del papel en diseño gráfico
(Universitat Politècnica de València, 2016-05-02) Blasco Arnandis, Maria; Dpto. de Pintura; Facultad de Bellas Artes
[EN] Paper is the base of our creations. It is the most accessible raw material to play, draw and write. It has also been the main tool for graphic communication up until not so long ago. The simplest mechanisms of the origami technique captivate creative people, designers, architects, artists and of course any child, at the same time they synthesize mathematical plots, descriptive geometry and technical drawing. This combination of disciplines, processes and techniques are the key to success for many graphic pieces, their folding and interactivity providing full meaning and conveying ideas.
Papel y color natural. Técnica y procesos en la producción artística sostenible a partir de la materia vegetal
(Universitat Politècnica de València, 2024-05-31) Bordacconi, Elena; Galbis Juan, Amparo; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] The manufacture of paper as a support is an activity that participates in the artistic and creative process and that can therefore guide us, becoming a methodology. Linked to the study and renewal of alternative techniques and materials, the current promotion of sustainable integrity in artistic production is the subject of research and testing at the Universitat Politècnica de València. In this article, starting from some vegetable raw materials, the creative processes in obtaining dyes and the artisanal manufacture of paper are modulated through a physical/experiential approach in the natural environment from which the material comes, highlighting the main advances made by this line from its organic character, observing its performance in artistic practice. This experimental perspective is based on the transformation of living matter from the place of its origin, stimulating artistic activity with concatenated reactions focused on the process itself, freed from certain aesthetic concerns during the realization of the work. With a high demand regarding the ethical and aesthetic performance of the materials, whose sensitive and processual possibilities offer at an expressive level a renewal and diversity of languages, the quality of the processes is promoted, and the specificity of this knowledge is vindicated. Through the practical appli-cation of various techniques, a procedural model that allows the methodological definition of the possibili-ties of graphic application of handmade paper as a material and creative resource in artistic production is constructed.
El rótulo comercial. Protagonista de nuestra realidad
(Universitat Politècnica de València, 2011) Cogollos Van Der Linden, Jonay Nicolás; Dpto. de Dibujo; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] Street signs are the media for advertising in our closest urban environment. They are intended to indicate information that is not outwardly observable in complex built-up landscapes. Commercial graphics puts its stamp on the urban environment. This study therefore enables us to better understand reality, culture and, ultimately, the world around us.
La sostenibilidad en el diseño museográfico
(Universitat Politècnica de València, 2021-05-31) Lleonart García, Melani; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] The production of temporary or mobile exhibitions consumes a large amount of material resources, most of which are difficult or impossible to recycle. In this working methodology, incorporating accessibility criteria and the concepts from sustainable design and the circular economy to analyze and predict the impact of materials in the development and design process is essential. The reduction and reuse of supports, as well as the replacement of classic plastic materials by others of ecological production, reusable and recyclable, such as wood, cardboard and paper of sustainable origin, are excellent alternatives to the usual supports. Innovation in improving plastic materials to offer lower impact alternatives and technological applications also offer alternatives to limit the use of ephemeral communication media.
Trampolín: el diseño como herramienta de transformación social
(2024-05-31) Lleonart García, Melani; Sanchis Gandía, Álvaro; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[ES] Entrevista a Yvette García y Javier La Casta Vilar, creadores de Trampolín, una plataforma creativa inclusiva que emplea la metodología y el pensamiento en diseño para elaborar proyectos sociales en torno a la creatividad. Su objetivo es ayudar a empresas, entidades y colectivos a avanzar hacia nuevos modelos de colaboración creativa centrados en las personas.

Browse

Browsing EME Experimental Illustration, Art & Design by UPV Entity "Facultad de Bellas Artes"

Results Per Page

Sort Options