ANIAV - Revista de Investigación en Artes Visuales

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https://riunet7pre.upv.es/handle/10251/85007
Investigación en y desde las artes visuales. Recoge contenidos de práctica, teoría, crítica y gestión del arte en los diferentes medios y áreas, que aborden los principales puntos de interés del arte contemporáneo.

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Browsing ANIAV - Revista de Investigación en Artes Visuales by Author "Bouille de Vicente, Luis"

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    Los “espacios cualesquiera” de Gordon Matta-Clark: building cuts bajo una óptica deleuziana (I)
    (Universitat Politècnica de València, 2019-03-26) Bouille de Vicente, Luis
    [EN] Artistic interventions in buildings made by Gordon Matta-Clark in 70’s are a constant source of critical interpretations for the particular nature of its shaping. It is possible to consider these building cutsmade by Matta-Clark as “any-space-whatevers” (Gilles Deleuze). For that the present article presents the concept of “paracinema”, developed by Esperanza Collado, by which diverse artistic practices can be performed as cinematographic experiences external to its specific medium, by employing in them processes and concepts of the cinematographic device by other external means. The concept of “paracinema” works as a mediator between the idea of “ritornelo” -artistic creation of a territory (Gilles Deleuze and Félix Guattari)-and “any-space-whatevers”, empty and disconnected spaces that, presented in cinematographic images , are able to generate "time-images" or “direct time presentations”. In this way, the artistic interventions in buildings, because of their condition of paracinematic “any-space-whatevers”, could produce localized “time-images” in place.
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    Las máquinas del tiempo de Gordon Matta-Clark: building cuts bajo una óptica deleuziana (II)
    (Universitat Politècnica de València, 2020-03-20) Bouille de Vicente, Luis
    [EN] Gordon Matta‐Clark made a building cuts series that, due to their artistic nature, were able to generate paracinematic “time‐images” (Gilles Deleuze) in real space. The consequences of this fact are that different temporalities occurred simultaneously in the building intervened artistically by Matta‐Clark through his cuts. Past, present and future related to the place intermingled interchangeably waiting for the building cuts visitor to activate or deactivate combining these temporalities with the movement of his body and his optical and sound perceptions. The buildings altered by Matta‐Clark functioned as "time machines" and the few visitors who could experience them were "time travelers."