Con A de animación

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Con A de animación es una revista de investigación centrada en el estudio de los aspectos teóricos, técnicos, artísticos y humanos de la producción de imagen animada. Se trata de una iniciativa pionera en lengua castellana, que sigue el ejemplo de otras revistas internacionales de prestigio, nacidas en el seno de la Society for Animation Studies.

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Browsing Con A de animación by Subject "Adaptación"

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    La adaptación al anime de los cuentos de hadas como herramienta de japonización: el caso de Belle
    (Universitat Politècnica de València, 2024-03-04) Vicent-Ibáñez, Mireya; Antona-Jimeno, Tamara; Bonaut-Iriarte, Joseba
    [EN] The adaptation of fairy tales allows stories to be kept alive over time. Nowadays, it can also be a tool of Japanization by allowing elements of Japanese culture to be introduced into originally Western stories. This research explores that use of fairy tale adaptation through an analysis of the anime Belle, based on the classic story Beauty and the Beast. Through a comparative analysis with Disney's popular animated version, the most relevant divergences between the two works have been identified. Thus, it has been shown how Belle introduces specific concepts and ideas that allow us to approach a specific imaginary about Japan and its culture.
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    Birdboy, de Alberto Vázquez y Pedro Rivero
    (Editorial Universitat Politècnica de València, 2012-02) Andrés López, Rafael
    Birdboy es un cortometraje dirigido por el dibujante de cómic Alberto Vázquez y el director de animación Pedro Rivero, que nace como historia paralela al cómic Psiconautas, relatando una parte del mismo que apenas está ilustrada, como una apuesta por promocionar la futura realización del largometraje Psiconautas, pudiendo coexistir perfectamente con el corto anterior. La película nos narra la historia de Dinki y su vida familiar, y un solitario niño pájaro, Birdboy, que se oculta en el bosque. La vida de los protagonistas cambia radicalmente al producirse un accidente industrial que afecta para siempre la vida en la isla. El corto está realizando un buen vuelo en los festivales internacionales de animación, siendo nominado a los Goya 2012 como Mejor Cortometraje de Animación.
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    De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
    (Editorial Universitat Politècnica de València, 2014-03-24) Sánchez Hernández, Tomás
    [EN] The works of the Disney Studios have been widely critisized from its inception. The filmography of the “Factory” has received both attacks and praise from every direction, and its creators —especially its founder— have been accused of defending diverse political principles under the camouflage of their films’ naivety. In most cases, this criticism has relied on simple intuition and ideological prejudice. The aim of the present analysis is approaching the first animated feature film produced by the Disney Studios so as to characterize the process carried out by the Company’s creative staff when rewriting a popular tale by The Brothers Grimm. The narratologic study of the operations taken will try to detect whether, in this case, there was a hidden agenda in Disney activity or rewriting responded to less militant goals.
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    Hamefura o cómo vivir en un juego otome y no morir en el intento
    (Universitat Politècnica de València, 2021-09-27) Gutiérrez Montañés, María
    [EN] This paper approaches to the Japanese animation series Hamefura (Keisuke Inoue, 2020), adapting a series of light novels by the author Yamaguchi Satoru, which narrates the adventures of Catarina Claes and her rebirth in a new world based on an otome game called Fortune Lover. We will carry out a definition of these games as well as the isekai genre, in which the series is framed, and then we will do a complete analysis of the loans and characteristics of this type of games that are represented in the first season of Hamefura, highlighting the outstanding nature of this adaptation that has little to do with what has been done so far in relation to these visual novels.