Con A de animación - No 04 (2014): Febrero 2014: Animación. Stop-Motion

Permanent URI for this collection

https://riunet7pre.upv.es/handle/10251/50432

Tabla de contenidos



  • Editorial


Reseñas

  • Gritos en plastilina. El dolor humano a través de la animación y la música
  • Prime the animation! La experiencia de una singular unión entre escuelas

Reportajes

  • La stop-motion como ejército de resistencia. La tardía edad de oro de una técnica anacrónica
  • La oscura poesía de las marionetas. Starewitch, Svankmajer y los Quay

Perfiles

  • Entrevista a David Caballer, director de Animación Stop-Motion
  • Entrevista a Carles Porta. Animación, encargos y proyectos

Espacios expositivos

  • Stop Motion Don't Stop, la exposición

Formación

  • Antón. Diario de una aventura en stop-motion

Firma invitada

  • Conferencia internacional en ilustración y animación CONFIA. Compartiendo y celebrando la investigación

Investigación

  • El arte de la animación selectiva en las series de anime contemporáneas
  • WALL-E. Humanamente tecnológicos
  • De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
  • Los pioneros olvidados del anime: el caso de Kenzo Masaoka
  • Bogotá: imaginarios de ciudad en tres obras animadas


Browse

Browsing Con A de animación - No 04 (2014): Febrero 2014: Animación. Stop-Motion by Subject "Animation"

Now showing 1 - 5 of 5
  • Thumbnail Image
    Publication
    Bogotá: imaginarios de ciudad en tres obras animadas
    (Editorial Universitat Politècnica de València, 2014-03-24) Arce, Ricardo; Hernando Sosa, Diego
    [EN] There isn’s any city without a path. Three animated short films present different views about Bogotá as a complex and diverse city of intersections. While the films capture the ordinary sights and the contradictory visions that define this urban landscape —as the space of daily experience—, it is also possible to find in these animated images a city as an organic and dynamic element, which essence remains open to new gazes.
  • Thumbnail Image
    Publication
    Conferencia internacional en ilustración y animación CONFIA. Compartiendo y celebrando la investigación
    (Editorial Universitat Politècnica de València, 2014-03-24) Tavares, Paula
    [EN] The International Conference on Illustration and Animation CONFIA is a place for open debate on the theoretical research and practice about these related areas. This paper reviews its last edition, held in Porto, Portugal, where a very interesting group of international experts came together: artists, researchers and theorists. Paula Tavares reports some considerations on the most relevant papers from this meeting, which exposed some of the focal topics of current practice and research — from the traditional ways of making to the latest technological innovations. With this paper we aim to open the way to CONFIA 2014, which we want to be the Conference of stability and maturity.
  • Thumbnail Image
    Publication
    De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
    (Editorial Universitat Politècnica de València, 2014-03-24) Sánchez Hernández, Tomás
    [EN] The works of the Disney Studios have been widely critisized from its inception. The filmography of the “Factory” has received both attacks and praise from every direction, and its creators —especially its founder— have been accused of defending diverse political principles under the camouflage of their films’ naivety. In most cases, this criticism has relied on simple intuition and ideological prejudice. The aim of the present analysis is approaching the first animated feature film produced by the Disney Studios so as to characterize the process carried out by the Company’s creative staff when rewriting a popular tale by The Brothers Grimm. The narratologic study of the operations taken will try to detect whether, in this case, there was a hidden agenda in Disney activity or rewriting responded to less militant goals.
  • Thumbnail Image
    Publication
    Entrevista a Carles Porta. Animación, encargos y proyectos
    (Editorial Universitat Politècnica de València, 2014-03-24) Navarro Álvarez, Adriana
    [EN] In this interview, the artist Carles Porta Garcia (Madrid, 1963) shows us in a brief and condensed way some significant aspects of his activity as multifaceted creative. He begins by recalling his adolescence as the period in which he decides to go their own way guided by a taste for the art world, continues to speak about his influences and referents, as well as how he manage to combine his professional works with his personal works, and pointing to, among other things, some likes and dislikes and finally giving us some clues to his last (for now) project.
  • Thumbnail Image
    Publication
    La oscura poesía de las marionetas. Starewitch, Svankmajer y los Quay
    (Editorial Universitat Politècnica de València, 2014-03-24) Trenor, María
    [EN] The next exhibition Metamorphosis. The fantastic visions of Starewitch, Švankmajer and the Quay Brothers, first in Barcelona and then in Madrid, will be unmissable for fans of these masters of stop motion animation. Three generations of filmmakers whose works run through a turbulent and murky twentieth century, presenting broad thematic and aesthetic matches despite their peculiarities: the obsession with taxidermy, the undead, magical operations, poetic objects, dirt, the sublime and the unconscious, walk across their filmographies, genuine and inimitable. María Trénor, Valencian animation director, will talk about these artists.