EME Experimental Illustration, Art & Design - No 05 (2017)

Permanent URI for this collection

https://riunet7pre.upv.es/handle/10251/81395

Tabla de contenidos

Editorial

Imágenes para el cambio

ILUSTRAFIC/reportajes

Diseñar desde la empatía: Avanti-Avanti Studio
Risactivismo y resistencia gráfica UMF vs. CANVAS
Diseño y cooperación en Senegal
Libros comunitarios. El discurso gráfico como expresión de la comunidad
La biblioteca imaginada. Un taller de Pep Carrió
Compromiso gráfico
Cita con... El impacto importa
Cita con... Beehive Collective y Projecte Úter. Dos ejemplos de gráfica política frente a la hegomonía cultural
Perfil. María Rodilla

WRITING/textos de investigación

Joe Sacco: viñetas, periodismo y el conflicto palestino-israelí.
Discos, arte y racismo: introducción la gráfica reivindicativa del free jazz de los años setenta
El uso creativo en diseño a través de códigos en silencio; el braille como ejemplo
Voces sobre muros. Gráfica disidente en Ciudad Juárez

WRITING/textos de investigación

Ilustración, cómic y compromiso social. Crónica de una exposición en movimiento

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Now showing 1 - 5 of 15

Ilustración, cómic y compromiso social. Crónica de una exposición en movimiento
(Universitat Politècnica de València, 2017-05-08) Garrido Barbera, Manuel
[EN] This article describes an exhibition project that puts to value the relationship between graphic illustration, comics, and social commitment through numerous examples of commissions and personal works carried out by today’s Valencian authors. Divided into eleven thematic areas or social causes, the exhibition offers a wide array of styles and poetics, focused on acting as speaker of the claims of various invisible groups
Voces sobre muros. Gráfica disidente en Ciudad Juárez
(Universitat Politècnica de València, 2017-05-08) Méndez Llopis, Carles; Dpto. de Dibujo; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
[EN] Carles Méndez · http://dx.doi.org/10.4995/eme.2017.7064133TRANSLATED ARTICLES Ciudad Juárez is a border metropolis in north-ern Mexico that shares a boundary with the United States. It a city known to be the victim of a series of violent and criminal acts, especially between 2007 and 2012, which restricted the so-cial and cultural development of the region. Si-multaneously, artistic groups and artists began to emerge focusing their efforts on a will to res-construct the city through graphic expression, taking the city as a project and the media itself for their work, incorporating a human dimen-sion through the sensitisation of citizens. They will become strategists and dissidents who will show in their creations other political construc-tions from their representations of everyday life.
El uso creativo en diseño a través de códigos en silencio; el braille como ejemplo
(Universitat Politècnica de València, 2017-05-08) Torres Cantón, Sonia
[EN] Sonia Torres · http://dx.doi.org/10.4995/eme.2017.6887129TRANSLATED ARTICLES CREATIVE DESIGN OF SILENT CODES; BRAILLE SYSTEM AS AN EXAMPLESonia TorresArtist, musician and researcherThis article presents a brief descriptive analysis of some relevant projects where braille is under-stood as a metaphorical concept of visual silence, as a gaze capable of seeing through other senses. The work shows a selection of illustrated books and tactile works with the objective of offering the inclusive meeting between seer and blind. We are always accustomed to a visual reading, but what if we used our hands; touch and other senses? Our motivation is to contribute to new areas, in an interest to highlight the need for a tangible world, a new way of imagining and look-ing at reality. Finally, the text raises a point of reflection to the technological advance as a new frontier of accessibility, we observe important developments that allow to construct graphic communication proposing sensory experiences and moments of interaction
Discos, arte y racismo: introducción la gráfica reivindicativa del free jazz de los años setenta
(Universitat Politècnica de València, 2017-05-08) Torán Tortajada, Claudia
[EN] This article is a preliminary research proposing us to take a trip through racism and art in the historical context of New York Free Jazz; ana-lysing it will allow us to understand the defin-ing characteristics and activist goals of the art shown in the record covers.After a brief historical introduction, dealing with the topic of racism and jazz music, the au-thor focuses her interest on a selection of record covers and artists, with the purpose of starting an analysis of the graphics and iconography that defined the music industry of that period.Music and art is an excuse to study the racial problem that affected artists. We will see how their works evolved in a social-cultural context of segregation and strife for change, experi-menting with liberating their artistic process in favour of social commitment
Joe Sacco: viñetas, periodismo y el conflicto palestino-israelí
(Universitat Politècnica de València, 2017-05-08) Yoldi López, Mónica
[EN] The article focuses on the work on Palestine by journalist and cartoonist Joe Sacco. Mem-ber of the current denominated journalistic comic, Joe Sacco, through his direct, commit-ted drawings, offers his particular view of the Israeli-Palestinian conflict. He tries to avoid preconceptions and common places. In this text we analyse his main comic books, such as Palestine or Footnotes in Gaza

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