Con A de animación - No 05 (2015): Febrero 2015: Animación. Punto de encuentro

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  • Editorial

Reseñas

  • Amore d’invierno, de Isabel Herguera
  • Pues eso... que Sam vuelve a las andadas

Reportajes

  • Sincronías y sinergias animadas: La visión de la industria de la animación de Pixar y Ghibli

Perfiles

  • Jonathan Hodgson. Animación de lo real
  • Conociendo a Silly Walks Studio

Espacios Expositivos

  • Perdido en los mundos de Jirí Barta
  • Entrevista a Gerben Schermer, director del Holland Animation Film Festival

Producción

  • Un día en el asombroso mundo de Gumball
  • Cuentos de viejos: los relatos de la memoria

Firma invitada

  • ¿Por qué no nos sentamos simplemente frente a la pantalla?

Investigación

  • Deformar a la Gorgona: la imagen animada como estrategia para documentar el horror
  • El realismo animado de Sang-ho Yeon
  • El verdadero ataque de los titanes: la combinación ganadora internacional de Shingeki no Kyojin
  • Ninjas, princesas y robots gigantes: género, formato y contenido en el manganime

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    English information
    (Universitat Politècnica de València, 2015-05-18) Animación Arte e Industria, Grupo
    Datos en inglés de los artículos incluidos en este número de la Revista Con A de animación
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    Jonathan Hodgson. Animación de lo real
    (Editorial Universitat Politècnica de València, 2015-05-18) Herráiz Zornoza, Beatriz; Dpto. de Comunicación Audiovisual, Documentación e Historia del Arte; Dpto. de Dibujo; Escuela Politécnica Superior de Gandia; Grupo Animación de la Universitat Politècnica de València
    [EN] Jonathan Hodgson (Oxford, United Kingdom, 1960) is an English animator who has developed his work mainly on documentary animation, or “animating real life”, as he prefers to call it. He has also worked extensively for advertising and he has won numerous awards including the BAFTA for Best Animated Short in 1999. In the following interview with Jonathan Hodgson we will discover his current viewpoint on animation, his creative processes and the techniques he uses, as well as his teaching modes at the University of Middlesex, London, where he is Senior Lecturer and heads the Animation Degree.
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    Ninjas, princesas y robots gigantes: género, formato y contenido en el manganime
    (Editorial Universitat Politècnica de València, 2015-05-18) Torrents, Alba G.
    [EN] This article uses Veronian notions of L-genre and P-genre to try to bring some light to the problem of the classification of genres in manga and anime. The essay strategically adopts the distinction between L-genre and P-genre, applying it to manga and anime, to eventually show how the application of these Veronian categories to this field of Japanese cultural production is much more problematic than it may seem at first.
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    El verdadero ataque de los titanes: la combinación ganadora internacional de Shingeki no Kyojin
    (Editorial Universitat Politècnica de València, 2015-05-18) Seva Victoria, Carmen Lavinia Laura
    [EN] After years of Japanese animation’s silent improvement, a TV series emerges with such dimensions, in its production and marketing plans, that it has become impossible to ignore by the mainstream Western audience. Attack on Titan is an international reminder that animation is a technique capable of conquering also the adult viewer. In this case, it also proves the latest artistic and technical developments in anime, from a very particular language. Despite its initial suitable recipe, the success is due to its impressive impact on the publics, becoming a viral phenomenon for which the Japanese industry has provided feedback with sufficient expertise, promoting it as the colossal phenomenon of 2013. This article will delve, in the first place, around the concept of the series, focusing on the factors that make it stand out within other anime and compete with live action works; secondly, we will introduce its artistic value and singularities; finally the essay will analyze its impact in a national and international level. El verdadero ataque de los titanes: la combinación ganadora internacional de Shingeki no Kyojin
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    El realismo animado de Sang-ho Yeon
    (Editorial Universitat Politècnica de València, 2015-05-18) Gómez Gurpegui, Carlos
    [EN] This article focuses on the figure of the South Korean animation director Sang-ho Yeon. Having directed only two films, Sang-ho has achieved with his productions to be the first South Korean animator screened at Cannes, and he has also won awards at Sitges with his last film. His work, still not very widespread in Spain, portraits harshly today’s South Korean society. With this paper we want to review the basis of Sang-ho’s films. We will relate his cinema with the independent animation South Korean production, and how he has managed to combine realism and animation to forge a solid social discourse in his movies, focusing on the analysis of his two features: The King of Pigs (Dwae-ji-ui Wang, 2011) and The Fake (Saibi, 2013).