ANIAV - Revista de Investigación en Artes Visuales- No 01 (2017)

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Artículos

¿Dónde está el ‘arte’ en la investigación artística?
Paisajes expandidas entre Brasil y España: intervenciones fotográficas introducidas en el espacio público
Santa María del Circo (Toscana, 1998) y Zócalo (Alÿs, 1999) como espacios de resignificación
Ecología global, sensibilidades locales. El rol de las humanidades ambientales frente a la crisis ecosocial contemporánea
Grupo Poéticas Digitais: Dialogo y Medio Ambiente
(a)topia(s). Una indagación artística sobre malestares deslocalizados y estrategias de invisibilidad
Visualizando la ciudad glocal. Modelos y paradigmas de una relación creativa entre el dato y su representación en el entorno arquitectónico
Inframedia: barreras infraestructurales y ecologías online en la Web 2.0
Performances mínimas en el espacio urbano y colaboraciones a distancia. Propuestas de “Acciones Desapercibidas” como experiencia entre lo local y lo translocal
Espacios de memoria virtual como laboratorios de investigación artística

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Now showing 1 - 5 of 11

Editorial
(Universitat Politècnica de València, 2017-07-05) Revista de Investigación en Artes Visuales, ANIAV
ANIAV. Revista de investigación en artes visuales, surge desde Asociación Nacional de Investigadores en Artes Visuales ANIAV a partir de la experiencia obtenida con la celebración de tres ediciones del Congreso Internacional de investigadores en Artes Visuales.
Espacios de memoria virtual como laboratorios de investigación artística
(Universitat Politècnica de València, 2017-07-05) Veciana, Stella
[EN] This paper makes a theoretical reflection on artistic methodologies in the generation of ‘online memory environments’, the influence of cultural codes and values of sustainability in these spaces and exposes in particular two cases of dynamic archives within the context of scientific conferences for sustainability and a public library as examples of two typologies of laboratories of artistic-scientific research: the a/synchronic and the virtual.The classic analogue archive passes from the museum space to databank networks based on dynamic memory to new hybrid environments of mixed realities. How does themodern archive model differentiate as the on-site library of database from databank archive model? How do interactive database systems influence social memory? The ‘online memory environments’ transform the concept of the archive, which served to preservecultural heritage, becoming as well a laboratory of aesthetic-scientific production as in experiments of collective participation in ‘virtual monuments’ that activate processes of social memory.On the basis of this historical transformation and intercultural artistic-scientific methodological approaches, the purpose of this communication is to present the online dynamic memory space as future laboratories of artistic-scientific research.
Performances mínimas en el espacio urbano y colaboraciones a distancia. Propuestas de “Acciones Desapercibidas” como experiencia entre lo local y lo translocal
(Universitat Politècnica de València, 2017-07-05) Torrecilla Patiño, Elia; Molina Alarcón, Miguel; Dpto. de Escultura; Facultad de Bellas Artes; Grupo de Laboratorio de Creaciones Intermedia. LCI
[EN] In this communication we show the experience gained from participating in an international project and its implementation at the local level.Starting from research on issues that address the relationship between body, city and technology, we begin to experience in the urban space the practice of a series of minimum performances inscribed in the realm of everyday life.After the discovery of a proposal developed in Holland, we deepen the use of the city as a laboratory and stage where we carry out our Unapproved Actions; So we began a series of collaborations with the organizers of the Unnoticed Art Festival, sometimes using the use of mobile devices. This is the case of Parallel Walks, a series of simultaneous parallel walks in which we wandered following the guidelines we send, from one city to another through instant messaging, creating a tour in a third city resulting from both.In this way, collective artistic practices become more accessible and allow us to experience new possibilities that include distance collaborations, translocation, simultaneity and the possibility of performing actions and moving through a hybrid city.
Inframedia: barreras infraestructurales y ecologías online en la Web 2.0
(Universitat Politècnica de València, 2017-07-05) Sanchez Lopez, Jose
[EN] Collective Intelligence and our notion of glocalposition depend closely on the large existing media available on the Internet (search engines, social media, wikis...). Its digital origin and its dependency on computer science allow them to take different forms with specific relation to software design. That stated, it is important to underscore this situation encompasses our limited knowledge and phenomenological contact with the infrastructure that supports them.This presentation works as a snapshot of an ongoing personal research about networks and visibility, whose main goal is to provide a theoretical context for the future development of a new media artistic project. The whole idea revolves around some topics that focus on the notion of interface being the visible part of an infrastructure complex.The analysis is structured around four main themes: 1. Evaluation of the abstraction layers that techno-material “life” of the networks: architecture, protocols and algorithms are made of. 2. The dual meaning of “collective”, when it comes to online interaction: creation of contents by users and how this oscillate between the commons production and data collection. 3. Attention to the concept coined by James Bridle “New Aesthetics” and how the digital became autonomous in referring reality in its own terms. 4. The impact of this digital context on artistic contemporary strategies, from counter-design to complicity.
Visualizando la ciudad glocal. Modelos y paradigmas de una relación creativa entre el dato y su representación en el entorno arquitectónico
(Universitat Politècnica de València, 2017-07-05) Mañas Carbonell, Moisés; Martínez Cuenca, Raquel; Dpto. de Escultura; Facultad de Bellas Artes; Grupo de Laboratorio de Luz
[EN] Starting from understanding the city as a desire, as an exchange, as impossible cities, which ItaloCalvino pointed out in his text The Invisible Cities, and of the relation of aesthetization of the data in the contemporary city, through the eyes of Gilles Lipovetsky; This study intends to show a reflection on the relation of the data flow, its aesthetic and functional representations in the new technified architectural spaces that generate a new mediated glocal city. Reflect on the existing devices of mediation between the static of the architecture and the dynamism of the data and how this binomial, its relation, its technification through creative and playful proposals can become a new proposal of amplified urban route for the citizen-user contemporary.

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