EN BLANCO. Revista de Arquitectura - Vol 04, No 9 (2012)

Permanent URI for this collection

https://riunet7pre.upv.es/handle/10251/107829

Tabla de contenidos



  • ¿Brutalismo? Un nombre polémico y su uso para designar una tendencia pasada en la arquitectura brasileña
  • Arquitectura contemporánea en hormigón: Obras brasileñas
  • 6 impresiones del Sesc Pompeia de Lina Bo Bardi
  • Sobre la milagrosa permanencia de los cubos
  • Casa en Ubatuba, Brasil
  • Museo del pan en Ilópolis, Río Grande do Sul. Brasil
  • Galería Adriana Varejao en Brumadinho, Minas Gerais. Brasil
  • Sede de Sebrae. Brasilia, DF. Brasil
  • Hotel Las piedras Fasano. Punta este, Uruguay
  • Centro educativo Burle Marx en Brumadinho, Minas Gerais. Brasil
  • Agencia de publicidad Loducca en Sao Paulo. Brasil
  • Plaza Dedé Caxias o Plaza turca en Juazeiro, Bahia. Brasil
  • Complejo deportivo Deodoro en Río de Janeiro. Brasil
  • Centro municipal de Arte y Educación en Pimientas, Sao Paulo. Brasil
  • Residencial Fidalga 772 en Sao Paulo. Brasil
  • Exterior, interior y contrapuntos
  • La caja y el agua
  • En hormigón y extramuros
  • Arquitectura de la reinvención. Entre lo óptico y lo háptico
  • Contención, integración y permanencia
  • Espacialidad, tectónica y montaje
  • Conducir y explorar: el sabor de sumergirse en el espacio arquitectónico
  • Tres contribuciones a la cultura arquitectónica contemporánea y al patrimonio
  • Sutiles distanciamientos de la experiencia
  • Herederos de la tradición moderna

Browse

Recent Submissions

Now showing 1 - 5 of 25
  • Thumbnail Image
    Publication
    Herederos de la tradición moderna
    (Universitat Politècnica de València, 2012-09-10) Gnoato, Salvador
    [EN] In the late 1980’s Brazil rebuilds its democracy and starts a new process of socio-economic development and international integration. In architecture, after nearly two decades of crisis, criticism, and even some postmodern attempts, the works and debates of modernity are again valued. Simultaneously, a new generation of architects attuned to the international debate will claim, in their works, their heritage in the face of modern Brazilian tradition. This generation of architects uses the vocabulary of Brazilian modernist masters, with parsimony in the choice of formal solutions, with constructive rigor in the use of concrete and steel structures, and with a more intense use of industrialized components.
  • Thumbnail Image
    Publication
    Sutiles distanciamientos de la experiencia
    (Universitat Politècnica de València, 2012-09-10) Anelli, Renato
    [EN] The three projects here presented offer a strong contrast with the works of their predecessors. A gap between generations, or an exploitation of possibilities opened up by the current situation of the building industry, in which the supply of varied constructive systems allows for different combinations, due to better performance or by formal intentions. With completely different functional programs, these three projects explore and explain the heterogeneity of materials and systems, showing a constructive process that coordinates different jobs and specialties, without necessarily expressing the constructive difficulties.
  • Thumbnail Image
    Publication
    Tres contribuciones a la cultura arquitectónica contemporánea y al patrimonio
    (Universitat Politècnica de València, 2012-09-10) Junqueira de Camargo, Monica
    [EN] The three works, Ubatuba House, Bread Museum and Sebrae Headquarters, contribute to the architectural heritage debate, but also to other issues, as refi ned works that reveal a profound constructive knowledge, a critical thinking and a methodological approach. Not only an erudite knowledge, but also a life experience based one: to know how to look around, to give attention and having pleasure in the making of architecture, managing to reconcile the frank willingness to be bold and at the same time, the necessary caution not to make mistakes.
  • Thumbnail Image
    Publication
    Conducir y explorar: el sabor de sumergirse en el espacio arquitectónico
    (Universitat Politècnica de València, 2012-09-10) Amorim, Luiz
    [EN] We want to observe to what extent the structural elements can be seen as leading constituents of space, be it as a driver of the movement, or shaper of the eye, or as organizer of environments for human occupation. Hence, as a mean to structure the interaction among the inhabitants of the architectural space. A demonstration of this properly architectural condition can be performed by analyzing some of the works gathered here, especially the ones with a public nature: the Turkish Square, the Burle Marx Center and the Varejão Gallery.
  • Thumbnail Image
    Publication
    Espacialidad, tectónica y montaje
    (Universitat Politècnica de València, 2012-09-10) Diniz Moreira, Fernando
    [EN] The works here discussed, Sebrae Headquarters, Ubatuba House, Deodoro Sports Complex, show how this new generation of architects considers the proper construction as a means of expression, and believes it should be, and they prove it to be, honest, clear and well designed. The care with junctions and joints of materials, how materials are handled, the level of detail and the clear exhibition of the parts and fi nishing, the constructive honesty, a mixture of traditional and prefabricated materials, and the demonstrative traces of the construction process point out to a promising path for Brazilian architecture, in which the concrete still seems to be a major player.