Con A de animación - No 04 (2014): Febrero 2014: Animación. Stop-Motion

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https://riunet7pre.upv.es/handle/10251/50432

Tabla de contenidos



  • Editorial


Reseñas

  • Gritos en plastilina. El dolor humano a través de la animación y la música
  • Prime the animation! La experiencia de una singular unión entre escuelas

Reportajes

  • La stop-motion como ejército de resistencia. La tardía edad de oro de una técnica anacrónica
  • La oscura poesía de las marionetas. Starewitch, Svankmajer y los Quay

Perfiles

  • Entrevista a David Caballer, director de Animación Stop-Motion
  • Entrevista a Carles Porta. Animación, encargos y proyectos

Espacios expositivos

  • Stop Motion Don't Stop, la exposición

Formación

  • Antón. Diario de una aventura en stop-motion

Firma invitada

  • Conferencia internacional en ilustración y animación CONFIA. Compartiendo y celebrando la investigación

Investigación

  • El arte de la animación selectiva en las series de anime contemporáneas
  • WALL-E. Humanamente tecnológicos
  • De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
  • Los pioneros olvidados del anime: el caso de Kenzo Masaoka
  • Bogotá: imaginarios de ciudad en tres obras animadas


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    English information
    (Universitat Politècnica de València, 2014-03-24) Animación Arte e Industria, Grupo
    Datos en inglés de los artículos incluidos en este número de la Revista Con A de animación
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    Bogotá: imaginarios de ciudad en tres obras animadas
    (Editorial Universitat Politècnica de València, 2014-03-24) Arce, Ricardo; Hernando Sosa, Diego
    [EN] There isn’s any city without a path. Three animated short films present different views about Bogotá as a complex and diverse city of intersections. While the films capture the ordinary sights and the contradictory visions that define this urban landscape —as the space of daily experience—, it is also possible to find in these animated images a city as an organic and dynamic element, which essence remains open to new gazes.
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    Los pioneros olvidados del anime: el caso de Kenzo Masaoka
    (Editorial Universitat Politècnica de València, 2014-03-24) Montero Plata, Laura; Japan Foundation
    [EN] Within the anime evolution, Kenzo Masaoka name is one of the most forgotten. The great pioneer and explorer of cell and sound techniques, Masaoka made a risky and transcendental decision when he decided to abandon the most traditional stream of Japanese animation, which resulted in an enormous budget increase. Well versed in both Eastern and Western Painting, his relevance in the configuration of the anime and also his contribution to the assimilation and development of foreign techniques and the introduction of new narrative motives indicate him as the key figure of Toei Animation’s birth.
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    De los Grimm a Disney. Un estudio narratológico de la adaptación de Blancanieves
    (Editorial Universitat Politècnica de València, 2014-03-24) Sánchez Hernández, Tomás
    [EN] The works of the Disney Studios have been widely critisized from its inception. The filmography of the “Factory” has received both attacks and praise from every direction, and its creators —especially its founder— have been accused of defending diverse political principles under the camouflage of their films’ naivety. In most cases, this criticism has relied on simple intuition and ideological prejudice. The aim of the present analysis is approaching the first animated feature film produced by the Disney Studios so as to characterize the process carried out by the Company’s creative staff when rewriting a popular tale by The Brothers Grimm. The narratologic study of the operations taken will try to detect whether, in this case, there was a hidden agenda in Disney activity or rewriting responded to less militant goals.
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    WALL-E. Humanamente tecnológicos
    (Editorial Universitat Politècnica de València, 2014-03-24) Madrid Brito, Débora
    [EN] Animation cinema has frequently brought up the conflict generated between the human and the technological in the background of scientific development. In the case of Wall-E, the exchange of roles between humans and robots becomes evident. Through the relations between its characters suggested by the plot, the film proposes a discussion about the human needing the technological to achieve development. From the depiction and interpretation of some elements of the movie, this essay will demonstrate how the movie conveys the ambiguity and exchange of roles between the human and the technological, proposing Wall-E’s story as a relevant sample of the humanization of the mechanical, and equally the dangerous mechanization that jeopardizes the human.