Con A de animación - No 08 (2018): Marzo 2018: El retorno del 2D

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https://riunet7pre.upv.es/handle/10251/100122

Tabla de contenidos



Editorial

  • Editorial


Reseñas

  • Quien mira en su interior, despierta: Morning Cowboy
  • Todo se conecta, lo real es irreal y lo irreal real: Contact
  • Impromptu o la magia de la imagen cinematográfica celebrada en un musical animado


Reportajes

  • Vientos de cambio: presente y futuro de Studio Ghibli
  • La primavera de la animación en series 2D
  • AnimaFICX y la animación 2D en el 55FICX Gijón


Perfiles

  • Del largo al corto. Khris Cembe, un director de animación polivalente


Espacios expositivos

  • Trazos de luz. Abi Feijó y Regina Pessoa: 25 años de animación portuguesa
  • El pasillo. Emprendimiento animado desde la universidad
  • Los cambios de rol en los festivales de cine de animación. Crónica desde Animafest-Zagreb


Producción

  • Más allá de las hurdes: Buñuel en el laberinto de las tortugas
  • Patchwork, remendando ideas y técnicas en un novedoso proyecto de animación


Firma invitada

  • La apuesta independiente de la animación europea, a través de El pan de la guerra

Investigación

  • Recreando el fotorrealismo: la consultoría visual del director de fotografía Roger Deakins en Wall-E
  • Desarrollando Porto: un videojuego sobre patrimonio cultural
  • De Top Cat a Don Gato: acerca del doblaje de animación
  • LGBTI y feminismo en animación televisiva: una reinterpretación de Steven Universe y Sailor Moon
  • El modelo de cuento de hadas de las producciones animadas de Walt Disney: la importancia de la música en su construcción y su influencia en películas producidas por otros estudios
  • La música como temática narrativa en Susurros del corazón

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Recent Submissions

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    English information
    (Universitat Politècnica de València, 2018-03-01) Animación Arte e Industria, Grupo
    Datos en inglés de los artículos incluidos en el Número 8(2017) de la Revista Con A de animación
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    La música como temática narrativa en Susurros del corazón
    (Universitat Politècnica de València, 2018-03-01) Esteban López, Lidia
    [EN] Music is not only part of the soundtrack, but it can also be developed as a narrative topic inside the film. The aim of this article is to identify the link between the topic of music and the storytelling of the animated movie Whisper of the Heart, directed by Yoshifumi Kondō, produced by Studio Ghibli. To verify the importance of the changes made by Hayao Miyazaki while adapting the original comic to a film, we use Bordwell and Thompson’s Film Art: An Introduction as a reference. The dichotomy form-style will be used in order to make a practical analysis of this feature film.
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    El modelo de cuento de hadas de las producciones animadas de Walt Disney: la importancia de la música en su construcción y su influencia en películas producidas por otros estudios
    (Universitat Politècnica de València, 2018-03-01) Montoya Rubio, Alba
    [EN] When referring to “classic Disney”, it is usual to associate these movies with fairy tales and songs. Nevertheless, not all Disney productions are fairy tales adaptations, but the studio takes elements from these tales and puts them in many of its movies. In this way, as well as with the help of songs, Disney creates its own conventions and a new model of fairy tale. Moreover, throughout their history, the Disney company have incorporated their own conventions, as giving more importance to romance plots or the inclusion of the American Dream. Thus, the main point of this paper is clarifying how these conventions are influent, both in animated films and live-action film adaptations of fairy tales.
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    LGBTI y feminismo en animación televisiva: una reinterpretación de Steven Universe y Sailor Moon
    (Universitat Politècnica de València, 2018-03-01) Delamorclaz Ruiz, Carolina
    [EN] This research delves into one of the series that has possibly succeeded in making visible for a young audience subjects such as feminism, is­sues and gender issues or homosexuality: Steven Universe, created by Rebecca Sugar in 2013 for the TV channel Cartoon Network. Starting from the analysis of this series and the references that have helped its creation, we will make more un­derstandable the LGBTI panorama in television animation during the last decades. For this, it is also necessary to include in this text the detailed study of another series, the Japanese Sailor Moon, created in 1992 by Naoko Takeuchi, because it is, in turn, one of the most important influences in the series by Sugar, but also the highlight series from which a chronology of LGBTI in television animation must be started.
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    De Top Cat a Don Gato: acerca del doblaje en animación
    (Universitat Politècnica de València, 2018-03-01) Orfila, Jorgelina; Ortega-Grimaldo, Francisco
    [EN] Hanna-Barbera’s Top Cat (1961-1962) was, and still is, widely popular in Mexico as Don Gato y su Pandilla. By adapting the script and lending their voices to the characters, local translators and voice-actors secured the positive reception of the cartoon, whose plot centered on the failed moneymaking schemes of six NYC alley cats. Although their marginal social condition already made them attractive to the Mexican audience, dubbing was critical in changing the cats into relatable local characters. Don Gato illustrates how Latin American countries manage to appropriate U.S. mainstream products for the dissemination of regional content: while the visual delivery remained unaltered, the dialogue and the character’s voices were unmistakably Mexican.