EN BLANCO. Revista de Arquitectura - Vol 04, No 10 (2012)

Permanent URI for this collection

https://riunet7pre.upv.es/handle/10251/107969

Tabla de contenidos



Artículos de investigación

  • La ciudad blanca; Madinat Al-Zahra
  • El hormigón coloreado como integrador paisajístico de la arquitectura del vino
  • Fifty by fifty feet house. Casa Ritter-Gey. Odiosas comparaciones


Obras

  • Auditorio y Escuela de música en Benejúzar. Alicante, España
  • Bodega Pago de Carraovejas. Peñafiel, Valladolid. España
  • La embajada de Holanda en Adís Abeba. Etiopía. Dick van Gameren Arquitectos
  • Casa Fosc. San Pedro, Chile
  • Museo Paula Rêgo, Cascais. Portugal
  • Centro de interpretación de las pinturas rupestres de la "Roca del moros" del Cogul, Lérida. España
  • "Villa urbaine", Beaumont, Lausana. Suiza
  • Guardería "Les graines d'étoiles". La Duranne, Aix en Provence. Francia

Browse

Recent Submissions

Now showing 1 - 5 of 11
  • Thumbnail Image
    Publication
    Guardería "Les graines d'étoiles". La Duranne, Aix en Provence. Francia
    (Universitat Politècnica de València, 2012-12-18) Atelier Fernandez&Serres, Arquitectos
    [EN] Under the light of the ‘midi’, the painterly colors of the Provence are revealed here as a matter of choice of the spatial construction of a highly emotional program - a nursery. The site of Duranne is sensitive with large trees. It is talking about the environment of the plant world and the distant landscape. (La Sainte Victoire). One volume, cubist, yellow ocher matte signalize, in the middle of the Aix countryside, the presence of children. In the heart of an educational garden, the nursery “Les graines d’étoiles“
  • Thumbnail Image
    Publication
    "Villa urbaine", Beaumont, Lausana. Suiza
    (Universitat Politècnica de València, 2012-12-18) Varios, Arquitectos
    [EN] The urban villa is situated at the top of the Campagne de Beaumont park, a country estate constructed in 1850.The compact building with its punctured window “holes” reinterprets characteristic qualities of the 19th century buildings. For example, the mineral washed concrete façade uses a colour that blends in with the surrounding vegetation. Since the concrete surfaces of each individual apartment are treated differently, the typologically interwoven character of the interior can also be perceived on the exterior.
  • Thumbnail Image
    Publication
    Centro de interpretación de las pinturas rupestres de la "Roca del moros" del Cogul, Lérida. España
    (Universitat Politècnica de València, 2012-12-18) Prudenci Español y José Ángel Hidalgo, Arquitectos
    [EN] The aim of “Roca dels Moros” interpretation centre in Cogul is to give to visitors the optimum conditions to appreciate its cave paintings. Architecture appears bare, rough, extreme and buried to offer us a series of crevice-like itineraries towards daylight, towards the Roca, drifting us apart from the contemporary bustle throughout the tour.The building is placed on a former quarry and it acts as gate and hinge to reach the paintings. From underground, we are led to an elementary space, almost a cave, strained by crevices and daylight wells. A concrete volume holds the basic functions of an interpretation centre while a zigzag path sets off from the building and leads to the Roca.
  • Thumbnail Image
    Publication
    Museo Paula Rêgo, Cascais. Portugal
    (Universitat Politècnica de València, 2012-12-18) Eduardo Souto de Moura, Arquitecto
    [EN] Visionary architects drew on Utopian proposals for new types of buildings and so, in the style of Boullée in the Cenotaph pyramidal, Souto de Moura designed his fi rst art gallery in the form of a treasure chest.Picturesquely situated, the landscape architecture of the museum is framed by a botanical fi lter defi ned by a carpet of greenery and clouds of trees that cast shadows on the built volume.The building is inserted into the architect’s career, in a reunion stage with his training origins which are identifi ed by his courtyard houses and thereby resolving the key domestic program.Immersed in the technological spirit, Souto de Moura converts a pigmented concrete architecture into an apparent mud wall construction of that takes on the character of vernacular architecture. The trace of the wooden formwork molds the tectonics of the museum.
  • Thumbnail Image
    Publication
    Casa Fosc. San Pedro, Chile
    (Universitat Politècnica de València, 2012-12-18) Mauricio Pezo, Sofi a von Ellrichshausen, Arquitectos
    [EN] This project is both an exercise of formal and structural concentration. The dense program of this house for a family with four children (fi ve bedrooms, three bathrooms, family room, studio, etc) is fi tted between a regular interior duct and the surface of the largest legally possible exterior wall. The decision of concentrating the entire program in a three storey prism on the highest point of the land so as to have vistas beyond the trees located on the lowest area of the plot. Bedrooms occupy the fi rst and third fl oors. The intermediate stage, a podium leveled with the natural access to the site, is occupied by the social and gathering activities.