EME Experimental Illustration, Art & Design - No 09 (2021)

Permanent URI for this collection

https://riunet7pre.upv.es/handle/10251/167139

Tabla de contenidos



Editorial

  • Editorial


Entrevista

  • Marlén López y Manuel Persa: diseñando un futuro sostenible

Reportajes

  • Escucharnos para defendernos juntas. El caso del proyecto Nos Jardins
  • Víctor Papanek y ecodiseño
  • Julia Lago
  • Anna Brullas


Textos de investigación

  • La cursiva revisitada: referentes para el diseño de las variantes cursivas de la tipografía Alaia
  • La sostenibilidad en el diseño museográfico
  • Marcas con valores
  • El Diseño y el rechazo del ornamento
  • Presencia y función del paisaje en el cartel cinematográfico contemporáneo
  • Work in progress. Democràcia. De palabras, imágenes y objetos

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Recent Submissions

Now showing 1 - 5 of 12
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    Work in progress. Democràcia. De palabras, imágenes y objetos
    (Universitat Politècnica de València, 2021-05-31) Sanfeliu Tortosa, Javier
    [EN] In this article we will talk about the way we work out our branding projects, and the difference that our holistic vision brings us when it comes to contextualize and frame design and art direction projects.
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    Presencia y función del paisaje en el cartel cinematográfico contemporáneo
    (Universitat Politècnica de València, 2021-05-31) Palacios-Ferri, Alicia; Marín Jordá, Eva
    [EN] In this article, the presence and semantic function of the landscape in the contemporary film poster is raised. Initially, a brief historical tour of the cinema poster is carried out, reviewing the different styles in which they are inscribed; in addition to establishing a definition, both conceptual and graphic. For this purpose, the graphic and typographical elements that make it up are listed and studied following the North American and European trends. The film poster is presented as a visual synthesis of the plot of the film and visual identity. Due to this link between the representational image and the content of the film several posters are analyzed, examining their graphic aspects in relation to the representation of the landscape in them. The absence or presence of this landscape representation, and its interaction with the rest of the elements that make up the poster, reveal the importance that this has had in its filmic use.
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    El Diseño y el rechazo del ornamento
    (Universitat Politècnica de València, 2021-05-31) Velasco Aranda, Rosario; Sanz, Joan
    [EN] This article analyzes the relationships between ornament, crafts and design through a historical review. We explore the origin of the use of ornament, linked to crafts, and its relationship with art, both producers of symbolic meanings. In this way, the article studies the tensions between function/ornament, as well as between design/Art. A view back to the historical facts and its analysis reveals the progressive symbiosis between decorative arts in design and the socio-economic and cultural context where they take place. To illustrate that, we reflect on current motivations to give the object a symbolic dimension through the use of design.
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    Marcas con valores
    (Universitat Politècnica de València, 2021-05-31) Canavese Arbona, Ana; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
    [EN] In this new market era, where there are more and more brands and products with the same attributes, users are looking for additional motivators to justify their buying choice. Companies’ brand values are increasingly essential to provide emotional benefits that generate preference and lasting ties with their users.Considering strategic values such as sustainability, simplicity, transparency, closeness, accessibility, and inspiration, the brands of the future will help people create their identity, achieving their challenges and motivations. Due to this ability to influence, brands are taking an increasingly relevant role in building society.
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    La sostenibilidad en el diseño museográfico
    (Universitat Politècnica de València, 2021-05-31) Lleonart García, Melani; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
    [EN] The production of temporary or mobile exhibitions consumes a large amount of material resources, most of which are difficult or impossible to recycle. In this working methodology, incorporating accessibility criteria and the concepts from sustainable design and the circular economy to analyze and predict the impact of materials in the development and design process is essential. The reduction and reuse of supports, as well as the replacement of classic plastic materials by others of ecological production, reusable and recyclable, such as wood, cardboard and paper of sustainable origin, are excellent alternatives to the usual supports. Innovation in improving plastic materials to offer lower impact alternatives and technological applications also offer alternatives to limit the use of ephemeral communication media.