EME Experimental Illustration, Art & Design - No 00 (2011)

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https://riunet7pre.upv.es/handle/10251/76779

Tabla de contenidos



    Editorial



ILUSTRAFIC / reportajes

  • Buenas Piezas. Fernado Medina
  • Visto en la calle
  • Nude
  • Jornadas de Ilustración en Valencia
  • Perfiles
  • Visto en la red


WRITING / textos de investigación

  • El rótulo comercial. Protagonista de nuestra realidad
  • Ver para creer. Diseño, ilustración y sostenibilidad
  • Un enfoque dialéctico en los usos tipográficos


WORK IN PROGRESS / investigación & procesos

  • Ilustrar con luz
  • Diseño y vida

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Now showing 1 - 5 of 12
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    Publication
    EME Editorial nº00
    (Universitat Politècnica de València, 2011) Rodríguez Calatayud, María Nuria; Dpto. de Pintura; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
    [ES] Editorial del primer número de la revista EME, Experimental Ilustration & Design. Revista de investigación anual cuyo objetivo prioritario es servir de ámbito de reflexión sobre el papel de la ilustración en la sociedad, observar los nuevos conceptos que plantea la actualidad y analizar las responsabilidades sociales que se derivan en la profesión como agentes activos de la cultura visual.
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    Ilustrar con luz
    (Universitat Politècnica de València, 2011) Hernández, Mar
    [EN] This article is intended as a reflection on the relationship between light and images, because we need light to see them, and this seemingly innocent and simplistic statement, it is not because the light is a complex and truly rich phenomenon.In the development of our perceptual experience, image and light go together, because without light we hardly perceive the image, we will think about this relationship and how light is able to intervene in the images, modifying, altering and transforming them, being a very importan element in our perceptual experience.
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    Ver para creer. Diseño, ilustración y sostenibilidad
    (Universitat Politècnica de València, 2011) Pelta, Raquel
    [EN] The environmental situation is critical, forcing us to question our production system and consumption patterns as well as our current well-being models.From the 1970s up until now, graphic designers have increased their involvement in environmental matters. They have developed resources for a more sustainable practice and tried to educate the public through self-commissioned projects or through their work for their clients. A feature of these projects is the place that illustration occupies because of its ability to showcase ideas visually and to make complex data understandable and attractive
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    El rótulo comercial. Protagonista de nuestra realidad
    (Universitat Politècnica de València, 2011) Cogollos Van Der Linden, Jonay Nicolás; Dpto. de Dibujo; Facultad de Bellas Artes; Centro de Investigación Arte y Entorno
    [EN] Street signs are the media for advertising in our closest urban environment. They are intended to indicate information that is not outwardly observable in complex built-up landscapes. Commercial graphics puts its stamp on the urban environment. This study therefore enables us to better understand reality, culture and, ultimately, the world around us.
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    Publication
    Un enfoque dialéctico en los usos tipográficos
    (Universitat Politècnica de València, 2011) Carrere, Alberto
    [EN] Analysis from a dialectical point of view of situations related to graphic creation, in which the designer opts for solutions that have as a starting point a dual reality that could be understood as a confrontation or dialogue. Some typographic uses are examples of that outlook, which could be extended to creativity in general.Thus, we deal with certain cases linked to visual/verbal dialectics specific to typographic composition or to the implication of different contexts of reference (original/current) in the choice of fonts and their treatment.